Word Frequency Count

Eliminating conjunctions/directives/articles, the word frequency count for my thesis manuscript:

  • eyes (111)
  • head (84)
  • something (84)
  • time (82)
  • hand (79)
  • face (75)
  • mother (63)
  • water (63)
  • room (59)
  • table (58)
  • glass (55)
  • door (51)

I’m surprised light only has 33 instances, but the rest make too much sense.


♡ Letter to California

1-2. I ran here. Everything’s spaced so far apart, which means you need to drive to get anywhere, but it also feels like, if you wanted, you could just run forever.

3. Artisan truffles: delicate, spiced, bourbon-infused. So fine you don’t actually want to bite into it, but then you break the crust and it’s even more magical.

4. Teensy heartbreaker

5. I watched my sister make this with scissors and a stack of color construction paper and I STILL can’t tell you how she did it.

6. We r who we r

7. Not pictured: Breaking Bad marathons with my sister, which she just described to me as “nice and relaxing… and thrilling.” Splitting small plates of filet mignon and glazed scallops with my parents and sister, me and my mom clinking our fancy champagne flutes, later walking a stretch of the Gaslamp Quarter, the night cold and fresh and lazy. Mornings, the sunlight unfolds for you, stays like a new skin so you forget the lack of it, the privilege.


Paint

I’ve always considered art my “hobby” because, I don’t know when, but somewhere I realized I just wasn’t going to be that good. Or I didn’t feel the need to be that good, I didn’t want it that much. I’d draw pictures for other people: family, friends, boys I liked, but I never felt the need to do more than that. Even though I’m hugely invested and interested in the idea of visual art, it doesn’t sustain me by itself — there is still something flat and static about the people and things I draw unless I’m mimicking, unless there’s a reference; I don’t understand the anatomy of something that moves, I can’t quite translate the muscle to the visible surface. I like the palette of words, the way you can construct a room a house an ocean a city an entire person, with almost nothing, but then also infinitely everything. But I’m not saying it’s better, either, because all that stuff, all those words (here is a tree with dark branches, though in parts the bark is stripped pale; here is the way the sunlight makes your eyes translucent) so depends on what you’ve seen before, even if you haven’t really seen them before. The connection is fluid.

So that’s why I don’t stop, not that anybody’s asking me to make that choice, but I’ve wondered why I keep doing this, scrawling or painting or taking pictures, if it doesn’t immediately do anything for me, if it’s not super astounding or adds to my portfolio or pays my rent.

Because there is something about the process that I like, the making and the noticing. There is something really awesome about mixing paint, about seeing these new colors unfurl, the trial-and-error steps that go into finding the exact shade I want, a little like coding, a little like revision. And I never pay as much attention to something unless I’m trying to draw it, unless I’m trying to understand its contours and textures and weight, or at least replicate it, represent it, in a way I don’t have to in text.

I want to do more of that this year, which is something I say every year, but let’s be ambitious. And grateful.

2011 goals in review:

  • Subscribe to more magazines/journals: Done and done, maybe even too much, and THERE IS ALWAYS MORE TO READ. It’s been interesting going through the flashy glitter of commercial print stuff, e.g. GQ, compared to the smaller (and larger) periodicals that make up the literary sphere. I am kind of/always amazed at how profuse the offerings are and I enjoyed all of my subscriptions. I’ll note that I stopped my sub to Print Magazine because it’s too far removed from what I’m interested in, I guess, even if it’s a beautiful and interesting curation of graphic design and print artifacts.
  • Write more: Ha, yes, and still not enough! But I think I accomplished the “more.”
  • Run: So despite my wonderful boyfriend’s incredible coaching, my inner monologue was like this for most of the year: “Hey, yeah, you can totally do this! — Oh wait actually no, MAKE IT STOP I HATE EVERYTHING ON THIS PLANET.” But I am making progress! Though going back to 30-degree weather is going to be f-u-n.
  • Cooking more: Oh what a glorious thing.
  • Library: Apparently I didn’t check out enough books at either the public or the university library in 2010. Now I think I have a hoarding problem. (This applies to all graduate students, right?…)

For 2012:

  • Read more online: Yeah, I already do this mad digest of Google Reader feeds and internet binging, but there are a bazillion internet magazines I’m just not too familiar with. I resolve to spend more time with them and figure out what I admire about the ones I find, and what I don’t. I keep thinking about unsubscribing from GRANTA’s feed because the content is just too long to read at one stroke (even though it’s excellent content!), for example, so maybe feeds aren’t the way to go for that specific kind of publication system. (Speaking of GRANTA, they excerpted from Paul Auster’s second memoir which is due September 2012, THAT IS FOREVER FROM NOW. AUGH.)
  • Learn Flash/eBooks: Because they are important, although I resolve never to use flash/background music for a restaurant website.
  • Revise + submit more + play: Should be a given, and I keep taking this off the list, but here it is.
  • Optimism: that tricky inspirational poster word which is easy to bat away, because sometimes it’s just hard to get yourself to move, but you have to. “It could be disappointing, but it could be marvelous.” Because you want marvelous.

Participation

I feel like the older I get, the less I experience Christmas, maybe because my family has never had a set tradition; no stained-glass cookies, no stockings over our fireplace (maybe once, twice), and the flurry of torn giftwrap has a flexible date and time. We never get snow or roast chestnuts or drink eggnog, though I try to maintain my annual tradition of watching Home Alone and Home Alone 2, which is probably why I have this weird crystalline idea of a “real” Christmas complete with snow-dusted trees and knit pom-pom hats and ice skating, though those crisp images are actually unreal. But I definitely used to agonize about waiting and waiting and waiting for presents, but also the idea of celebration, the poinsettias with thick red leaves, the process of putting up lights and dressing the tree in tinsel, the cold night air, looking up at the sky and trying to imagine the Star of Bethlehem and the manger I’d seen so many times in so many ways. Now, though, my family’s been lazy (me) or too busy (my parents) to wrap presents ahead of time, so the skirt of the tree was bare until just yesterday. Even when I went out shopping today with my best friend and my sister, the Christmas music they piped over the speakers kind of faded, I don’t know why — it wasn’t exhausted or cloying, it was just unremarkable. It’s almost Christmas Eve and I feel like I’m barely ready, that I haven’t enough time to participate in what Christmas means to me, and that I’m not even really sure what it means to participate. Today, when a store employee rang me up and chirped, “Merry Christmas!” I mumbled: “You too.” It occurred to me how weird it is, like, what does that mean? Hope you enjoy your Christmas, have a good day? It’s not actually Christmas Day, though, and she didn’t say “I hope you have a Merry Christmas.” Okay, actually it’s shorthand for Nice, Seasonally Aware Goodbye to Customer, a thank you for participating in the most consumerist holiday, and especially a thank you for patronizing their business. But it felt suddenly, weirdly personal, like she’d forced me into the cult of Christmas, of universal goodwill and cheer, where everything is somehow magical and festive and lovely and everyone gives out hugs and cocoa. Of course, the blip of time passed and then I just gathered my bags and went to the next store with L and my sister.

Later, though, I wrapped my last present and went downstairs to stick it under the tree. The tree was lit up and I realized that everyone had put their presents down there, finally, carefully folded and decked with bows and little drawings, these boxes we’ll pass around and open soon. I set down the box and then had to go back for my camera because it just looked too good, this tree, the electric colors, the pinkish-yellow light painting everything, the glitter of the tinsel, all the sparkle points in the dark. I looked and I looked and I looked. All the bokeh and the millions of tree photos that are out there and all the clichés and I had to do it anyway because, how can such a thing exist? This small spectacle.

 


Dexter

Whenever I talk about Dexter with my friends, we always end up talking about how excellent it used to be and how tired it is now. The show became alternately great and frustrating, but not the good kind of frustrating, the bad kind, where you become aware of the frame of the TV or computer screen and the writers talking to each other at the table, where you watch most everything taken away from Dexter because it’s time for a new season and that means he’s not allowed to have this good thing, this good person in his life anymore. It reminds me of a moment in a fiction workshop where the professor advised someone to cut out a grandparent because two was too much, it was better to just have one. And, sure, I agree: a more singular, honed, compressed focus is likely the better choice. But these characters were so continually neatly wrested from Dexter’s life that I didn’t believe anymore, I didn’t really care all that much.

So with the current season, I found myself watching out of duty, always about three episodes behind. That number jumped to six. Today, though, trying to catch up, there was a moment where I realized the wires were drawn taut again and I’m not thinking about how they’re angled or operated, where I’m not thinking about the actors acting but the people there, who are maybe too consciously desperate, going through some very familiar motions of desperate, but that still feels real, where I’m just totally sucked in. Which is funny because I froze the frame and dug out my camera to take a shot of it, so I guess I wasn’t utterly and completely involved, but I want to save this moment, just right now. WHAT WILL HAPPEN?


Season of

Unfocused street lights, flooded gutters, and cold air.

Darling and regal horses.

Not pictured: Texas brisket, pulled pork sandwiches, watermelon mojitos, a canopy of trees, and the best company.

Also not pictured: so much from August and September thus far that I have, unfortunately, neglected to document. But I did manage to finish A Visit from the Goon Squad by Jennifer Egan (amazing) and figure out how to keep a virtual cookbook with Evernote, so that has to count for something, right? Maybe.


Not Swimming

On my birthday, I went to the beach with my best friend and my family. I wanted to try snorkeling, because I’d never swum in the ocean before, even though I’m from California, and more specifically, San Diego (which is, I guess, kind of like going to Dublin and not drinking any Guinness, but I’ve done that, too). I’d never been in the ocean before, not really, unless you count walks on the sand, knee-deep in the tide, but never more than that. I’ve been on the ocean in boats; I’ve been over the ocean on planes. I’ve breathed the salt in the air and looked at the ocean and taken pictures of it, but I’d never felt the urge to swim or surf or kayak in it, not for long, anyway. I don’t know if it’s because I went on a field trip in college where I took an eyedropper sample from a trough of seawater and saw, under a microscope, the billions of tiny gallivanting creatures inside. Or because the Pacific water is always cold, and it feels as though I could get the same numbing feeling by sticking my arm in a bucket of ice water. My boyfriend is from Miami, and I’m always shocked whenever he’s over there and he sends me a picture of his ocean; you can see right through the water, he says. And the water looks bright and turquoise and it glows.

In the ocean that I’ve known all my life, the water is dark except in the shallowest parts: fathomless, unknowable. But on my birthday, the temperature was over eighty degrees, and I figured the water must be the warmest it would get during the summer. So my best friend and I rented snorkel masks and fins and wetsuits, and we went out to find the snorkeling spot on the map the store had given us. It wasn’t easy, though, because the ocean isn’t neatly partitioned as the map suggests. We went north on the beach until we realized that the nearby bathrooms meant we’d gone too far, so we went south. After we asked for directions, we headed past the boat launch area where the kayaks departed and anchored, and we looked for the buoys. A long string of them stretched out parallel to the coast. We couldn’t tell where the buoys ended, and the buoys were supposed to mark the snorkeling spot right before the Devil’s Slide, which was sectioned off with three bright red X’s. When we looked to our left, we could see huge waves crashing into cliffs. Finally, we decided to go into the water.

Behind us, my sister hadn’t brought her swimsuit, so she dug her feet into the sand and watched though my best friend kept telling her to join us. My father took pictures. My mother shaded her eyes and shouted that we didn’t know what we were doing, that we shouldn’t go too far into the water.

The water felt cool, welcoming. We put on our masks and tried to wade backwards into the surf, the fins heavy and dragging. My mom yelled at us to be careful, and the waves rose and crept toward us and then slammed into us and we kept trying. We dropped the fins and masks and went into the water again. Later I’d have a huge fight with my mother, because she thought I was going to keep going, and she was afraid a wave was going to knock me unconscious and I would drown, that I would die on my birthday, and I just couldn’t understand why she could be so afraid, though I know that feeling of watching someone drive or walk a tightrope or scale a cliff; I am so much more terrified for them, for what could happen, for the abyss that could swallow them up.

But right then, at that moment, there was just the ocean and us. As the waves rolled toward me and broke and dissolved, the water felt alive, a live thing, which was maybe why I couldn’t really hear my mother behind us, because the water tumbled and frothed and slid around us and my best friend said to jump when the wave broke again. And the farther out I got, the more forceful the wave became, ramming into my shoulders and my face and making me cough and spit, the taste of salt so strong I wanted to wash it out. It felt like the ocean was daring me, warning me, shouldering me aside. I was so aware that it was vast, that it went on forever. The water was waist-high and then over our heads and then suddenly just at our ankles. My foot once scraped the edge of a shelf where the sand just dropped off and I suddenly couldn’t tell how deep it was and I thrashed around and retreated. I understood then why the ocean is so mythologized, felt it in this strange way where I wanted to keep pushing back, to try to jump with the rush of water, to try to brawl with it, even though I knew I could never win. I felt a burst of elation whenever I halfway caught a wave, and I wasn’t even really surfing, I wasn’t swimming; I was just in the water.


California

Sometimes, there is nothing better than the sunlight and a light breeze through the window.


Lucky Peach

I have been DEVOURING the first issue of Lucky Peach. Well, not eating the pages, but if they were slathered in shôyu and chicken fat and tasted anything like how ramen is described here, then maybe. I started to read the first article and kept pausing out of sheer delight and then immediately went online to buy a subscription. I am excited in a furious way, like, where has this been all my life? I’m so used to the ad deluge and I don’t read any McSweeney’s things, so it’s been a pleasant surprise to read something uninterrupted. Someone tell me there will be other ways to watch the TV show outside the iPad!


Definition

“Any event is infinitely prismatic. I guess that’s what I would say: whether it’s fiction or nonfiction, it’s infinitely prismatic, and what you need to do is turn the prism and find one of those infinite facets that reflects in a way that makes sense to you. That’s what a writer’s job is, and the fact that it’s infinitely prismatic makes it sort of—or means it can be—an absolutely overwhelming task.” —Lauren Slater, Creative Nonfiction 40

from Dictionary.com:

  • of, pertaining to, or like a prism.
  • Spectral in color; brilliant.
  • Formed by refraction of light through a prism, used especially of a spectrum of light.